GLORY be to God for dappled things— For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches’ wings; Landscape plotted and pieced—fold, fallow, and plough; And all trades, their gear and tackle and trim.
All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: Praise him.
Gerard Manley Hopkins
Not my God, but my sense of glory in this glorious patterning.
I remember studying that poem at school. It made little sense to a 12-year-old; I couldn't see beyond the words, and I think too I was put off by that first line.
It took about 30 years before I finally "got it". But I'm glad I did.
Or maybe in some way I did get it back then; I don't remember encountering it again, but I know the words stuck in my mind, waiting for the day, decades later, when suddenly something would click into place and they'd make sense.
Hopkins also has some of the most powerful poems about depression: "Carrion Comfort" and the one that contains the line, "Oh, the mind, mind has mountains; cliffs of fall..."
I feel the same way as you do about GMH's poem. It's wonderful, and it speaks of the world's wonderful variegation, but to give credit for all that to some God-daddy is a kindergarten step I'm no longer willing to make.